Newbery Medal Winner

The White Stag

by Kate Seredy

Summary

Seredy retells a legend of Hungary's founding, following the warrior peoples she calls the Huns and the Magyars as they migrate west out of Asia across generations, led at key moments by a mysterious white stag that appears, vanishes, and reappears whenever the people need direction most. The story follows the brothers Hunor and Magyar, sons of the legendary Nimrod, who chase the stag for seven months before it leads them, and the peoples who follow them, toward the land that becomes their new home; their descendants later split into two related but separate groups, the Magyars settling first while Hunor's line, the Huns under Attila, presses on further west into conflict with the Roman world. Seredy renders Attila not as history usually remembers him but as a chosen leader guided by prophecy and omen, the white stag and a red eagle recurring as signs marking his path, and the narrative climaxes with a blinding mountain snowstorm that threatens to scatter the migrating peoples entirely until the stag reappears one final time to guide them safely through the pass into the land promised to them from the start.

Seredy tells the story in sweeping, almost incantatory prose closer to myth and legend than to history, and she is direct with readers that this is legend rather than a documented historical account, drawn from stories her own father told her as a child in Hungary before she emigrated to the United States. She both wrote and illustrated the book, and her bold, dramatic black and white drawings carry as much of the story's mood as the text itself.

Historical Context & Significance

The Viking Press published The White Stag in 1937, and it won the 1938 Newbery Medal. No committee citation survives from this era, but that year's runners up were James Cloyd Bowman's Pecos Bill, Mabel Robinson's Bright Island, and Laura Ingalls Wilder's On the Banks of Plum Creek, the first of several Newbery Honors Wilder's Little House books would earn across this decade without ever winning the medal itself.

Kirkus Reviews praised what it called Seredy's magic sense of story and described her illustrations as a perfect interpretation of the text. The book went on to win the Lewis Carroll Shelf Award in 1959, more than two decades after its first publication, and some later readers and critics have preferred her earlier book The Good Master, a runner up two years earlier, for its more grounded, less mythic treatment of the same Hungarian setting.