Pulitzer Prize for Biography Winner

The Black Count: Glory, Revolution, Betrayal, and the Real Count of Monte Cristo

by Tom Reiss

Summary

Tom Reiss follows Thomas Alexandre Dumas from his 1762 birth in the French colony of Saint Domingue, now Haiti, the son of a French nobleman and Marie Cessette Dumas, an enslaved woman, through the voyage that took him to France at fourteen and the education in swordsmanship and letters that came with it. The book follows Dumas into the French Revolutionary army, which he entered as a private under the name Alexandre Dumas and left, within a few astonishing years, as General in Chief of the Army of the Alps, commanding fifty three thousand troops by the age of thirty one, the first Black officer to reach general in chief of a French army.

Reiss gives real weight to the Egyptian campaign under Napoleon, where Dumas clashed openly with his own commander over the treatment of troops, and to the disaster that followed his attempt to sail home in 1799, when his ship began to sink and put in at Taranto in the Kingdom of Naples, where hostile forces held him in the Aragonese Castle for two years, conditions so brutal he emerged in 1801 partially paralyzed and nearly blind. The book follows him home to a France where Napoleon had begun reinstating racial laws that stripped rank and standing from officers like Dumas, leaving a genuine military hero to die in 1806, at forty three, in poverty, the same year his own son and namesake, the future novelist, was not yet four years old.

Reiss built the book from a decade of archival research across Haiti, France, Egypt and Italy, tracking down documents in a small museum in Villers Cotterets that historians had overlooked for generations, and reading it means following what one reviewer called a literary gumshoe as much as a conventional biographer. It suits a reader who already loves The Count of Monte Cristo and The Three Musketeers and wants to see exactly how much of their author's imagination came from his own father's actual life.

Historical Context & Significance

The Black Count won the 2013 Pulitzer Prize for Biography or Autobiography and the PEN/Jacqueline Bograd Weld Award for Biography, and it was a finalist for the National Book Critics Circle Award and the Plutarch Award the same year. The New York Times named it one of its hundred notable books of 2012, Time placed it among its ten best nonfiction books, and NPR listed it among the year's best biographies.

Reiss had already written The Orientalist, an international bestseller about a Russian Jewish writer who reinvented himself as a Muslim prince, before turning to Dumas, and The Black Count carries the same instinct for a life that reads like fiction because history genuinely outran what any novelist would have dared invent. The book has renewed interest in Thomas Alexandre Dumas specifically as the real world source for his son's fiction, a man the novels themselves had largely eclipsed. That year's Pulitzer finalists were Michael Gorra's Portrait of a Novel, on Henry James, and David Nasaw's The Patriarch, a life of Joseph P. Kennedy.