The Booker Prize Winner

The Luminaries

by Eleanor Catton

Summary

Hokitika, New Zealand, January 1866, at the height of the West Coast gold rush. Walter Moody arrives off a bad crossing and walks into a hotel smoking room where twelve men are holding a secret meeting. A rich prospector has vanished, a hermit has died with a fortune sewn into his clothes, and a prostitute has been found insensible in the road. Each of the twelve knows a piece and none knows the whole.

What follows is a mystery told through the structure of the night sky. The book has twelve parts, each half the length of the one before, and the characters are mapped onto the signs of the zodiac and the planets, with the plot moving as the heavens move. You do not need to know any of that to follow it, and knowing it changes almost nothing about the pleasure.

The pleasure is the storytelling. Catton writes an unapologetic Victorian pastiche, complete with chapter summaries, coincidences and a narrator who addresses you, and does it with total confidence.

It is 848 pages and the diminishing structure means the last hundred move at a sprint while the first two hundred take their time. Give it those two hundred. It is one of the most purely enjoyable prize winners of the century for a reader who likes plot.

It suits anyone who enjoys Wilkie Collins, Sarah Waters or a long winter. It does not suit a reader in a hurry, and it is worth knowing that the astrological scheme is decoration rather than a puzzle to be solved.

Historical Context & Significance

The Luminaries won the Booker Prize in 2013, and Eleanor Catton was twenty eight, the youngest winner in the prize's history at that point. At 848 pages it is also the longest book ever to win it, a combination that made the result a story in itself.

Robert Macfarlane, chairing the judges, called it a magnificent novel, awesome in its structural complexity, addictive in its storytelling and magical in conjuring a world of greed and gold.

It was Catton's second novel, written largely in her twenties, and its reception in New Zealand became complicated when her later political comments drew a public backlash at home. A television adaptation followed in 2020, which necessarily abandoned the astrological architecture that gives the book its shape, and which most readers of the novel found a poor substitute for it.