Nobel Laureate

Barabbas

by Pär Lagerkvist

Summary

Barabbas is the thief the crowd chooses to free instead of Jesus, and Lagerkvist's short novel follows him afterward, into a life he can neither explain nor escape. He watches the crucifixion from a distance and witnesses the sky darken over Golgotha in a way he can never afterward explain, then spends his days circling the followers of the man who died in his place without ever managing to believe what they believe. He seeks them out in Jerusalem and later in Rome, drawn by something in their faith he senses but cannot enter, an outsider to the very story that saved his life.

Enslaved and sent to labor in the empire's copper mines, Barabbas is chained for years to a fellow prisoner named Sahak, a Christian whose quiet, unshakeable faith needles Barabbas more than any sermon could. Sahak is eventually executed for his belief, and Barabbas, still unable to say the words of faith himself, ends up condemned in Rome and crucified in turn. Dying, he speaks not to any god he has found but into the same darkness he has carried since Golgotha, a doubt Lagerkvist never resolves into belief and never mocks either.

Lagerkvist writes in short, spare sentences with enormous space around each event, closer to parable than to historical novel, and the effect is a book that can be read in an afternoon and argued about for much longer. It suits a reader drawn to real religious doubt taken seriously on its own terms, neither answered with easy faith nor dismissed as a problem to be solved, and its refusal to grant Barabbas the conversion a lesser novel would hand him is exactly what has kept it in print.

Historical Context & Significance

The Swedish Academy gave Pär Lagerkvist the 1951 Nobel Prize in Literature for the artistic vigor and true independence of mind with which he endeavors in his poetry to find answers to the eternal questions confronting mankind, and Barabbas, published in Swedish the year before, is the book most directly responsible for that recognition. André Gide, already a Nobel laureate himself, praised it on its first appearance, and his nomination together with Roger Martin du Gard's helped decide the Academy, and the French critic Marcel Brion wrote that the book's human value and universal importance could not possibly be doubted.

Lagerkvist had earned his independence of mind the hard way. In the 1930s he published fiction and drama attacking Nazism directly enough to draw a hostile review from the German propaganda paper Der Stürmer, and during the war he belonged to a Swedish anti Nazi group and appeared on a Gestapo list of people to be arrested. Barabbas has since been filmed three times, most famously in 1961 with Anthony Quinn in the title role, and remains the work by which Lagerkvist is best known outside Sweden.