Newbery Medal Winner

Joyful Noise: Poems for Two Voices

by Paul Fleischman

Summary

Paul Fleischman builds this collection around a genuinely unusual form: fourteen poems about insects, meant to be read aloud by two voices at once, with lines split across two columns on the page that sometimes alternate between speakers and sometimes land together in unison. The subjects range across the insect world, mayflies living out an entire adult life in a single day, chittering book lice, honeybees communicating through dance, and each poem uses its two voice structure to mimic something about how the insect itself moves or sounds, overlapping chirps, alternating buzzes, a call and response between a queen and her hive. Read by two people who commit to the timing, the poems become something closer to a small performance piece than a page of verse sitting still on paper.

The collection asks more of a reader than most poetry written for children, not in vocabulary but in attention: getting the rhythm right between two readers takes a rehearsal or two, and the payoff is a genuinely different experience than reading any of it silently and alone. Younger children enjoy the insect facts and the playful sound of the language even without a partner to read with; older readers and the classrooms that use it as a performance exercise get the fuller effect the form was built for. It is short, sixty four pages, and works equally well as a one time read or as a piece revisited and reperformed the way sheet music gets replayed.

Fleischman had already been experimenting with the two voice form before this book, and its combination of natural history and structural invention has made it a staple of school poetry units built around reading aloud rather than reading silently.

Historical Context & Significance

Joyful Noise: Poems for Two Voices won the 1989 Newbery Medal. That year's honor books were Virginia Hamilton's In the Beginning: Creation Stories from Around the World and Walter Dean Myers's Scorpions. Harper and Row published the sixty four page collection in 1988, illustrated by Eric Beddows.

Kirkus Reviews called it a splendid collection of poems in many moods about the lives and dreams of insects. The win made Fleischman, together with his father Sid Fleischman, who had won the Newbery Medal two years earlier for The Whipping Boy, the only parent and child to both hold the award. Fleischman had first tried the two voice form in I Am Phoenix: Poems for Two Voices in 1985 and returned to it in Big Talk: Poems for Four Voices in 2000, making the format a small poetic tradition of his own.