Classic

Frankenstein

by Mary Shelley

Summary

An English explorer, Walton, pushing for the North Pole, takes aboard a dying man pursuing something across the ice, and the man tells his story. Victor Frankenstein, a young Genevan student aflame with chemistry and ambition, assembled a creature from dead matter and brought it to life, then fled in horror at the sight of it. The creature, abandoned, teaches itself language and reading in hiding, is met everywhere with violence, and turns on its maker with terrible deliberation, killing Victor's young brother, his closest friend and finally his bride on their wedding night, after Victor destroys the companion he had promised to make. The chase ends in the Arctic, where the creature is last seen mourning over Victor's body before vanishing onto the ice.

The first surprise for readers who know only the films is that the creature speaks, eloquently and at length, and his account of his own education and rejection is the moral centre of the book. There is no lightning, no lumbering mute, no assistant; there is a nested set of narratives, Walton's letters around Victor's confession around the creature's autobiography, and a question the novel refuses to settle about which of the two is the monster. It is a young writer's book, feverish and sometimes overwrought, and it has outlived nearly everything written in its decade.

Mary Shelley began it at eighteen, in the wet summer of 1816 at Villa Diodati on Lake Geneva, when Byron proposed that his guests each write a ghost story. It was published anonymously on the first day of 1818; she was twenty.

Historical Context & Significance

Early reviews split on party lines, Walter Scott praising the author's uncommon powers of poetic imagination in the belief that Percy Shelley had written it, the Quarterly Review dismissing a tissue of horrible and disgusting absurdity. The public disagreed with the Quarterly: the novel succeeded quickly, and the 1823 stage play Presumption made the young author famous enough to watch her own story from a box. Her revised 1831 edition, published under her name with a new preface telling the ghost story contest legend, is the text most people read.

Brian Aldiss argued that this is the first true science fiction novel, its horror proceeding from experiment rather than the supernatural, and the claim has stuck. Boris Karloff's 1931 film fixed the creature's face in the public mind and transferred the name Frankenstein to him, an error now beyond correction.