Classic

War and Peace

by Leo Tolstoy

Summary

Tolstoy follows the Rostov, Bolkonsky, and Bezukhov families through Napoleon's invasion of Russia and the years on either side of it, from the glittering drawing rooms of Petersburg in 1805 to the burning of Moscow and beyond. Pierre Bezukhov, illegitimate, wealthy, and forever searching for a way to live that means something, marries badly, survives the disaster at Borodino as a civilian wandering the battlefield, and is taken prisoner by the French before the war ends. Prince Andrei Bolkonsky, proud and driven, is grievously wounded at Borodino and dies slowly afterward, reconciled with Natasha Rostova, the woman he once loved and nearly lost to a broken engagement. Natasha herself, impulsive and full of feeling through the whole book, eventually marries Pierre once peace returns, and Andrei's sister Marya marries Natasha's brother Nikolai, the two of them settling at Bald Hills to raise Andrei's orphaned son alongside their own family.

Reading Tolstoy at this length means adjusting to a cast that runs past a hundred named characters and roughly a hundred sixty real historical figures woven in among them, and to the long stretches of essay that interrupt the story outright to argue, at length, that history turns on countless small human decisions rather than the will of great men. Tolstoy himself refused to call the finished book a novel, or a poem, or a historical chronicle, and the label still does not sit easily. The pace is patient and occasionally demanding, particularly through the war chapters, but the domestic scenes move with real warmth, and the accumulation across four volumes builds an intimacy with these families that a shorter book could not manage.

The novel runs to well over a thousand pages in most editions and three hundred sixty one chapters, with dialogue in the aristocratic circles often switching into French exactly as Tolstoy's own class actually spoke.

Historical Context & Significance

Tolstoy serialized the novel's early chapters in The Russian Messenger from 1865 under the title The Year 1805 and published the complete work in 1869 after years of revision. Reception split along predictable lines: the liberal press argued over what to even call it, with one reviewer asking where the fiction ended and the real history began, while conservative critics accused Tolstoy of distorting the events of 1812. The novelist Ivan Goncharov called it, admiringly, a Russian Iliad.

Later writers settled the argument decisively in Tolstoy's favor. Gustave Flaubert, John Galsworthy, Thomas Mann, and Virginia Woolf all counted it among fiction's summits, and Ernest Hemingway credited Tolstoy with teaching him how to write about war in the most straightforward, honest, objective, and stark way he knew. Sergei Bondarchuk's 1966 to 1967 Soviet film, seven hours long, won the Academy Award for best foreign language film, and the BBC has returned to the novel twice, in 1972 and again in a 2016 miniseries.