Classic

The War of the Worlds

by H. G. Wells

Summary

Cylinders fall from the sky onto the Surrey countryside and unscrew themselves to reveal Martians, squat, octopus like creatures with enlarged heads and whip like tentacles, who assemble towering three legged fighting machines armed with a heat ray that reduces English soldiers and civilians alike to ash within days. Wells narrates the invasion through an unnamed writer who watches London's defenses collapse from the outside, fleeing with the general population while separately following his brother's own desperate escape from the capital as order breaks down completely, mobs and panic doing nearly as much damage as the Martians themselves. The narrator spends a harrowing stretch trapped in a half collapsed house alongside a panicked curate, watching Martians harvest human blood for food through a crack in the ruined wall, an ordeal that pushes him to violence himself before he can finally escape. Humanity's armies, their artillery and rifles nearly useless against Martian technology, destroy only a handful of the machines and do nothing to stop the invasion; what finally kills every Martian is Earth's own bacteria, to which they have no immunity at all, a collapse the narrator discovers only when he walks into a silent, undefended London and finds the fighting machines already dead around their pilots. The novel ends with an exhausted return to ordinary life, the narrator reunited with his wife, humanity chastened and forced to reckon with its own smallness against a threat it survived by accident rather than by any victory of its own.

Wells deliberately inverts the logic of empire throughout, letting readers whose country ruled much of the globe experience colonization and slaughter themselves rather than inflicting it, and he later said the collapse of the Aboriginal Tasmanians under European conquest specifically shaped how he wanted readers to feel about the Martians' campaign. It reads as tense, propulsive adventure on its surface, but the moral discomfort underneath is entirely intentional rather than incidental to the plot.

Wells, newly married and living in Woking, reportedly toured the surrounding district on his bicycle beforehand, scouting, in his own words, suitable places and people for destruction by his Martians.

Historical Context & Significance

Pearson's Magazine serialized The War of the Worlds in Britain from April to December 1897, with Cosmopolitan running it simultaneously in America, and William Heinemann and Harper and Brothers published the hardcover book on 19 January 1898. The Illustrated London News reported the serial's very distinct success, and the Daily News singled out Wells's imagination, his extraordinary power of presentation, and what it called the moral significance of the book, even as some readers found its violence genuinely brutal.

The novel is often wrongly called the first alien invasion story, an honor that belongs to earlier works such as Robert Potter's The Germ Growers of 1892, but it fixed the form for everyone after it and gave the word Martian its lasting association with hostile extraterrestrials generally. Orson Welles's 1938 radio adaptation, restaged as a live news broadcast set in contemporary New Jersey, famously convinced part of its American audience that an actual invasion was underway, and the story has continued through George Pal's Academy Award winning 1953 film, Steven Spielberg's 2005 version with Tom Cruise, and Jeff Wayne's long running 1978 musical adaptation.