Classic

Oliver Twist

by Charles Dickens

Summary

Born in a workhouse to a mother who dies naming him, Oliver Twist grows up starved and beaten under the parish's care, and his famous crime is asking for more gruel. Apprenticed out and then running away to London, he falls in with the Artful Dodger, a boy pickpocket who brings him to Fagin, an old man who trains orphans as thieves and sells what they steal. Oliver is nearly ruined by association, arrested for a theft he did not commit, and then rescued by the theft's actual victim, the kindly Mr Brownlow, who takes him in. Fagin's associates, the brutal Bill Sikes and Sikes's abused companion Nancy, drag Oliver back into their orbit for a burglary that goes wrong, and Nancy, at terrible risk to herself, works secretly to protect Oliver from the criminal Monks, who has his own hidden reasons for wanting the boy ruined. Sikes murders Nancy for her betrayal and is killed fleeing a mob that hunts him down. Oliver's true parentage and inheritance come out at last, and Fagin is hanged.

Dickens is working close to the world he grew up frightened of, and the workhouse and criminal underworld chapters read as reporting as much as invention; he had spent time as a boy in a factory under conditions he never fully forgave. The plotting can be melodramatic and its coincidences generous, but the writing about poverty and cruelty to children still lands with force, and Fagin and Sikes remain two of the most vivid villains in English fiction.

A caution worth stating plainly: Fagin is repeatedly identified in the text simply as "the Jew," language Dickens later revised after a reader wrote to object, and the book carries the antisemitic caricature of its period alongside its sympathy for the poor.

Historical Context & Significance

Serialised in Bentley's Miscellany from February 1837 to April 1839 and published in three volumes in 1838, with George Cruikshank supplying the etched illustrations readers first knew the story through, Oliver Twist arrived while debate over the New Poor Law and its harsh workhouses was current, and reviewers praised its realism about poverty even where they found the picture exaggerated. After Eliza Davis, a Jewish reader, wrote to Dickens objecting to Fagin's characterisation, he halted printing of a later edition and cut many of the references to Fagin as "the Jew," a rare instance of an author revising a book in response to a reader's protest.

Its afterlife has been enormous. Lionel Bart's 1960 musical Oliver! became a 1968 film that won the Academy Award for Best Picture, and the story has been filmed and staged many times since, including Disney's 1988 animal cast version Oliver & Company. The Dodger, Fagin and Nancy remain fixed points in the culture even for readers who have never opened the book.