Caldecott Medal Winner

Where the Wild Things Are

by Maurice Sendak

Summary

Max, wearing a wolf costume and behaving like one, chases the family dog with a fork and gets sent to bed without supper. Alone in his room, he watches it grow into a forest and then an ocean, and he sails for almost a year to the land where the Wild Things live, enormous, clawed, toothy monsters who roar their terrible roars and gnash their terrible teeth the moment he arrives. Rather than run, Max stares them down until they name him king, and the book's wordless center spread lets Max lead the Wild Things through a wild rumpus, swinging through trees and howling at the moon, before Max, now the one in charge of the fun, sends them all to bed without their supper too. Alone again and suddenly missing the people who love him, Max gives up his kingship, sails back across the year and the ocean and the forest, and finds his supper waiting for him in his own room, still hot.

Sendak both wrote and illustrated it, and the artwork itself acts out Max's expanding imagination, the pictures start small, boxed by white space on the page, and grow larger with each turn until the wordless rumpus spreads fully across two facing pages with no text or border at all, before shrinking back down as Max sails home. It suits children roughly three to eight, though Sendak refused to soften the monsters into anything cute, and some children do find the Wild Things' teeth and claws genuinely unsettling on a first read even as most come back to the book precisely because Max is never actually afraid of them.

Historical Context & Significance

Where the Wild Things Are, published by Harper & Row on November 13, 1963, won the 1964 Caldecott Medal; the committee itself praised the Wild Things as "grotesque, kindly and humorous, never terrifying." Not everyone agreed at the time. That year's Honor books were Leo Lionni's Swimmy, Evaline Ness's All in the Morning Early and Philip Reed's Mother Goose and Nursery Rhymes. The child psychologist Bruno Bettelheim criticized sending Max to bed without supper as needlessly cruel, and some librarians pulled the book from shelves over fears it would frighten children, while the critic Deborah Stevenson later recorded a child who "screamed, apparently not with delight," every time it was read to him.

The controversy did not slow the book down. It has sold more than 19 million copies worldwide, ten million of those in the United States, and readers voted it the top picture book of all time in a 2012 School Library Journal survey. Spike Jonze directed a live action film version in 2009 starring Max Records, with Dave Eggers co writing a novelization, and Sendak collaborated with composer Oliver Knussen on an opera version that received its first full staging in London in 1984.