Caldecott Medal Winner

Why Mosquitoes Buzz in People's Ears

by Leo and Diane Dillon

Summary

Verna Aardema retells a West African cumulative folktale that traces an entire night's chaos back to a single small lie. A mosquito tells an iguana a story so annoying that the iguana stuffs sticks in his own ears to block it out, and because he can no longer hear anything, the iguana fails to answer a python's greeting, which the python takes as such a bad sign that he panics and flees into a rabbit hole. The rabbit, startled by the python bursting in, runs off in a panic of her own, setting off a crow, who spreads an alarm across the whole forest that eventually reaches a monkey, whose careless leap through the trees accidentally kills a baby owl. The mother owl is so grief stricken that she stops hooting to wake the sun each morning, and when the animals finally gather to sort out who is really responsible for the whole chain of disaster, they trace it all the way back to the mosquito's very first lie. Rather than face the other animals' anger directly, the mosquito hides, and to this day, the story explains, she buzzes in people's ears to check whether everyone is still angry with her.

Leo and Diane Dillon illustrate the chain reaction in watercolor, airbrush, pastel and India ink, cutting friskets and vellum shapes at different angles to build up layered, richly patterned scenes of the African savanna and its animals. It reads well aloud to children around four to eight, its cause and effect chain, one small annoyance escalating step by step into real tragedy, giving the story a clear shape even for a first time listener working out how everything connects.

Historical Context & Significance

Why Mosquitoes Buzz in People's Ears, published by Dial in 1975, won the Dillons the 1976 Caldecott Medal, and Leo Dillon became the first Black artist to win it. That year's Honor books were Peter Parnall's The Desert Is Theirs and Tomie dePaola's Strega Nona. The Dillons then won again the following year for Ashanti to Zulu: African Traditions, the only illustrators in the medal's history to win two years running.

The couple described their working method as a genuine fusion rather than two separate hands on one book, Diane Dillon once explaining that together they functioned as "one artist rather than two individuals," the third artist doing work neither of them would have produced alone. Beyond their two Caldecotts, they went on to win a Hugo Award and several Coretta Scott King Awards across a career spanning more than fifty years and over a hundred book and magazine covers, along with a 2008 World Fantasy Convention Life Achievement Award.