Never Won a Major Prize

The Magic Mountain

by Thomas Mann

Summary

Hans Castorp, a young engineer with no particular convictions of his own, travels to a tuberculosis sanatorium high in the Swiss Alps to visit his cousin Joachim for three weeks and ends up staying seven years, first as a visitor and then, once a doctor detects a spot on his own lung, as a patient himself. Mann fills the Berghof with patients who have stopped living by the clock of the world below and instead measure time in fevers, rest cures, and meals, and Castorp drifts through their company absorbing two men in particular: Settembrini, an Italian humanist who wants to argue Castorp into reason and progress, and Naphta, a Jesuit trained radical who wants to argue him into submission and unreason instead. Castorp also falls for Clawdia Chauchat, a patient whose slouching, indifferent manner undoes his usual caution completely, and their brief affair becomes one more thing that keeps him from leaving. When the First World War finally breaks out in 1914, it does what nothing inside the sanatorium could: it ends Castorp's seven years on the mountain in a single stroke, and Mann sends him down to volunteer for the army and onto a battlefield where the novel leaves his fate open.

Mann uses the sanatorium as a kind of laboratory for the ideas that would soon tear Europe apart, letting Settembrini and Naphta argue for hundreds of pages over a single soul while time itself seems to stop keeping its usual pace outside the windows. The novel reads slowly and demands real patience, its scenes and arguments both stretched well past what a conventional novel would allow, and readers who give it that patience tend to describe finishing it as its own kind of achievement.

Mann began developing the material in 1912, after a three week visit to a Davos sanatorium where his wife Katia was being treated for a suspected lung ailment; her letters describing the daily rhythms of sanatorium life fed directly into the book. The war then interrupted his writing for years, and Mann revised what he had drafted before the war to strip out the more lighthearted tone he had originally planned.

Historical Context & Significance

No book prize existed to weigh in on The Magic Mountain specifically when S. Fischer Verlag published it in November 1924, and none is recorded as having done so since. Mann won the Nobel Prize in Literature in 1929, five years after this book appeared, and the official citation named only Buddenbrooks, the 1901 debut that had made him famous a generation earlier, praising it as one of the classic works of contemporary literature. The Magic Mountain went unmentioned, and the personal taste of one influential member of the prize committee is the usual explanation for why.

The novel has outlived that early imbalance of attention. Its portrait of European intellectuals arguing themselves toward catastrophe while illness reorders their sense of time is now read as one of the central texts for understanding the mood of the years before the First World War, and Helen Tracy Lowe-Porter's 1927 English translation carried it to readers well beyond Germany for the first time.